Fortune Telling Collection - Zodiac Analysis - What is the absolute sensory index of your music?
What is the absolute sensory index of your music?
( 1)
How to appreciate music is a very old topic. Over the years, many monographs have been published. However, some people still don't understand how to appreciate music. In fact, listening to music can also be said to be a very simple problem, that is, as long as you like it. I often hear many people say, "The music is good, but I just can't understand it." But I often ask them: What do you want to know? Music, as long as you feel good. Why is it so utilitarian to understand? In fact, it is. A famous music, as long as you feel good and can move you, you don't have to think about what story it tells. What's the form, tonality and theme next? Actually, none of this matters. The most important thing is that you should first have a good impression and be moved by this music. Otherwise, no matter how famous the music is, it will be useless to you. As for those things, music is the next thing to know. If you can be moved by music, everything will be easy. Because when you are moved, you will have an impulsive idea, and you will think about why this music is so touching. What the hell is going on here? In this way, you have the desire to learn more music. You can't understand everything from the beginning.
When music was first appreciated, its sound was so attractive that almost everyone who heard it was moved by it. The music at this time is very mysterious. It has great charm and charm. Whether it is melody or lyrics, or even the harmony of accompaniment, it will be very wonderful. We can see the difference between pop songs and romantic music from people who like different types of music. At this time, it is very obvious that music is too attractive to the senses, especially for people who have never really touched music or have little contact with music. They will suddenly be attracted by its euphemistic melody or bright rhythm or sweet lyrics. Because of this, many people often regard music as a sustenance, an ideal, a gift, an escape from reality, and even as their own fantasy world at this time. Because of this, some people often participate in the song-ordering programs of radio and television stations and give their favorite songs as gifts to others. Because they feel that this music (song) moved them, as if it were an expression of their own state of mind. Of course, this is beyond reproach. What you give others is your own business. Everything is moving forward. People can't stay in the appreciation stage forever. Among people who like pop songs, one thing is clear, that is, people over the age of 30 are definitely very few. Why? As far as experience is concerned, those who "dream all their lives for love" and "always believe in love" are really empty things. No one will live in such a song forever, and they can't stand it, and neither can others.
(2)
Music appreciation has a process from shallow to deep, that is, from perceptual (moved by music) to rational knowledge (exploring music knowledge), and then back to perceptual knowledge (deeper appreciation). This is the only way to enjoy music. A person who studies musical instruments is not necessarily a good music connoisseur, because he pays attention to skills. Expression and understanding are not the same thing. Music has its own language, just like every movement and style in dance has its own expressive meaning, so do * * *, score, speed and tonality in music. At first, music can move you from the senses, make you excited and make you happy. This is an unconscious aesthetic activity. But if that's all, you still can't really listen to music.
Music has great attraction. This appeal is not only for young people who have just come into contact with music, but also for an old man who has experienced many hardships. It's just that different stages of listening to songs bring different ideological content. At the stage of perceptual knowledge, your understanding of music is limited to sensory feelings. If you don't listen to music actively, then you may not really understand the sound >>
Question 2: How to enjoy music? Please provide more than four methods. Five points is basically conclusive. Copland has an incisive exposition on music appreciation, which is generally accepted all over the world. It roughly means: Allen? Copland divided listening to music into three stages: 1, aesthetic stage; 2. Expression stage; 3. Pure music stage. 1, the easiest way to listen to music is to listen purely for the pleasure of sound, which is the aesthetic stage. Listening to music at this stage does not require any way of thinking. When we are doing other things, we turn on the radio and immerse ourselves in the sound absently. At this time, the appeal of music alone can bring us into an unconscious but attractive state of mind. You may be sitting in your room reading this book at the moment. Imagine playing a sound on the piano, which can immediately change the atmosphere of the room, proving that the sound component of music is a powerful and mysterious force. Whoever laughs at or despises this will look stupid. Surprisingly, many self-qualified music lovers have developed the bad habit of listening to songs at this stage. They go to the concert to forget themselves and take music as a comfort or relief. They entered an ideal world, where people don't have to consider the reality of daily life. Of course, they didn't think of music. Music makes them leave music and takes them into a fantastic realm. This fantasy is caused by music. It is about music, but they don't listen to music very much. Yes, the appeal of music sound is a powerful and primitive force, but you should not let it occupy an inappropriate position in your interest. Aesthetic stage plays a very important role in music, but this is not the whole problem. There is no need to go too far in the aesthetic stage. The attraction of music to every normal person is self-evident. But there is still a problem, that is, it is more sensitive to different sound materials used by different composers. Because not all composers use sound materials in the same way. Don't think that the value of music is equal to its attraction to beauty, and don't think that the best music is written by the greatest composer. If so, Ravel should be a greater composer than Beethoven. The problem is that the composer's use of sound elements varies from person to person, and his use of sound constitutes an integral part of his style, which must be considered when listening to music. Therefore, readers can see that even in this initial stage of listening to music, it is worth adopting a more conscious listening method. 2. The second stage of listening to music is the expression stage. Personally, I think all music is expressive, some are stronger, some are weaker, and all the notes have some meaning behind them, which constitutes the content of the work after all. All the questions can be simply explained by the following question and answer: "Is music meaningful?" My answer is "yes". "Can you make this meaning clear in words?" My answer is "no". This is the crux. At different times, music expresses peaceful or overflowing emotions, regrets or victories, anger or joy. It uses countless subtle differences and changes to express every emotion and many other emotions, and it can even express the meaning that a suitable word can't be found in any language. In this case, musicians like to say that music has only the meaning of pure music. They sometimes go further and say that all music has only the meaning of pure music. What they really mean is that there are no suitable words to express the meaning of music, and even if they can, there is no need to look for them. However, no matter what professional musicians say, most beginners still need to explain their reactions to music in clear words. Therefore, he still always felt that it was easier to "understand" Pyotr Il'yich Tchaikovsky than Beethoven. First of all, it is much easier to clarify a clear meaning for a piece of music by Pyotr Il'yich Tchaikovsky than Beethoven's. Especially, as far as this Russian composer is concerned, whenever you return to one of his works, it almost always tells you the same thing; It is often difficult for you to tell what Beethoven is saying. Any musician will tell you that this is why Beethoven is a greater composer. Because music that tells you the same story every time will soon become boring music; Music with subtle meanings every time you listen to it is more vital. If possible, let's listen to the forty-eight fu in Bach's piano music collection with equal rhythm >>
Question 3: In-depth analysis: How to appreciate music is the art of expressing feelings, expressing feelings and pinning feelings. No matter singing, playing and listening, it contains and is related to people's emotional factors. The understanding of music, I believe everyone has their own feelings, but it is not necessarily the correct way for everyone to really appreciate music. Knowing how to appreciate music is a very old topic. Over the years, many monographs have been published. However, some people still don't understand how to appreciate music. In fact, listening to music can also be said to be a very simple problem, that is, as long as you like it. I often hear many people say, "The music is good, but I just can't understand it." But I often ask them: What do you want to know? Music, as long as you feel good. Why is it so utilitarian to understand? In fact, it is. A famous music, as long as you feel good and can move you, you don't have to think about what story it tells. It doesn't matter what form, tonality and theme are next. The most important thing is that you must first have a good impression and be moved by this music, otherwise no matter how famous the music is, it will be useless to you. As for those things, music is the next thing to know. If you can be moved by music, everything will be easy. Because when you are moved, you will have an impulsive idea, and you will think about why this music is so touching. What the hell is going on here? In this way, you have a desire to know more about music, but if you want to know everything from the beginning, it is impossible. Talking about the charm of music When people first appreciate music, its sound is so attractive that almost everyone who hears it is moved by it. The music at this time is very mysterious, and it has great charm and charm. Whether it is melody or lyrics, or even the harmony of accompaniment, it will be very wonderful. We can see the difference between pop songs and romantic music from people who like different types of music. At this time, it is very obvious that music is too attractive to the senses, especially for people who have never really touched music or have little contact with music. They will suddenly be attracted by its euphemistic melody or bright rhythm or sweet lyrics. Because of this, many people often regard music as a sustenance, an ideal, a gift, an escape from reality, and even as their own fantasy world at this time. The attraction of music is enormous. Because of this, some people often participate in the song-ordering programs of radio and television stations and give their favorite songs as gifts to others. Because they feel that this music (song) moved them, as if it were an expression of their own state of mind. Of course, this is beyond reproach. What you give others is your own business. Everything is moving forward. People can't stay in the appreciation stage forever. Among people who like pop songs, one thing is clear, that is, people over the age of 30 are definitely very few. Why? As far as experience is concerned, those who "dream all their lives for love" and "always believe in love" are really empty things. No one will live in such a song forever, and they can't stand it, and neither can others. Music appreciation has a process from shallow to deep, that is, from perceptual (moved by music) to rational knowledge (exploring music knowledge), and then back to perceptual knowledge (deeper appreciation). This is the only way to enjoy music. A person who studies musical instruments is not necessarily a good music connoisseur, because he pays attention to skills. Expression and understanding are not the same thing. Music has its own language, just like every movement and style in dance has its own meaning of expression, so do * * *, score, speed and tonality in music. At first, music can move you from the senses, make you excited and make you happy. This is an unconscious aesthetic activity. But if that's all, you still can't really listen to music. ● Music has great attraction, not only for young people who have just come into contact with music, but also for an old man who has experienced many hardships. It's just that different stages of listening to songs bring different ideological content. At the stage of perceptual knowledge, your understanding of music is limited to sensory feelings. If you don't listen to music actively, then you may not really understand the true meaning of music. For example, the famous song "Blue Danube", in the perceptual stage, we will find it beautiful. In fact, we are just praised by the undulating melody and waltz rhythm in triple time, the story reputation of this famous song and other reasons ...
Question 4: Steps of Music Appreciation Allen? Copland divided listening to music into three stages:
1, aesthetic stage;
2. Expression stage;
3. Pure music stage.
1, the easiest way to listen to music is to listen purely for the pleasure of sound, which is the aesthetic stage.
Listening to music at this stage does not require any way of thinking. When we are doing other things, we turn on the radio and immerse ourselves in the sound absently. At this time, the appeal of music alone can bring us into an unconscious but attractive state of mind. You may be sitting in your room reading this book at the moment. Imagine playing a sound on the piano, which can immediately change the atmosphere of the room, proving that the sound component of music is a powerful and mysterious force. Whoever laughs at or despises this will look stupid.
Surprisingly, many self-qualified music lovers have developed the bad habit of listening to songs at this stage. They go to the concert to forget themselves and take music as a comfort or relief. They entered an ideal world, where people don't have to consider the reality of daily life. Of course, they didn't think of music. Music makes them leave music and takes them into a fantastic realm. This fantasy is caused by music. It is about music, but they don't listen to music very much.
Yes, the appeal of music sound is a powerful and primitive force, but you should not let it occupy an inappropriate position in your interest. Aesthetic stage plays a very important role in music, but this is not the whole problem.
There is no need to go too far in the aesthetic stage. The attraction of music to every normal person is self-evident. But there is still a problem, that is, it is more sensitive to different sound materials used by different composers. Because not all composers use sound materials in the same way. Don't think that the value of music is equal to its attraction to beauty, and don't think that the best music is written by the greatest composer. If so, Ravel should be a greater composer than Beethoven. The problem is that the composer's use of sound elements varies from person to person, and his use of sound constitutes an integral part of his style, which must be considered when listening to music. Therefore, readers can see that even in this initial stage of listening to music, it is worth adopting a more conscious listening method.
2. The second stage of listening to music is the expression stage.
Personally, I think all music is expressive, some are stronger, some are weaker, and all the notes have some meaning behind them, which constitutes the content of the work after all. All the questions can be simply explained by the following question and answer: "Is music meaningful?" My answer is "yes". "Can you make this meaning clear in words?" My answer is "no". This is the crux.
At different times, music expresses peaceful or overflowing emotions, regrets or victories, anger or joy. It uses countless subtle differences and changes to express every emotion and many other emotions, and it can even express the meaning that a suitable word can't be found in any language. In this case, musicians like to say that music has only the meaning of pure music. They sometimes go further and say that all music has only the meaning of pure music. What they really mean is that there are no suitable words to express the meaning of music, and even if they can, there is no need to look for them.
However, no matter what professional musicians say, most beginners still need to explain their reactions to music in clear words. Therefore, he still always felt that it was easier to "understand" Pyotr Il'yich Tchaikovsky than Beethoven. First of all, it is much easier to clarify a clear meaning for a piece of music by Pyotr Il'yich Tchaikovsky than Beethoven's. Especially, as far as this Russian composer is concerned, whenever you return to one of his works, it almost always tells you the same thing; It is often difficult for you to tell what Beethoven is saying. Any musician will tell you that this is why Beethoven is a greater composer. Because music that tells you the same story every time will soon become boring music; Music with subtle meanings every time you listen to it is more vital.
If possible, listen to 48 fugue themes in Bach's piano music collection, with equal rhythm. Listen to one topic after another. Soon you will realize that each theme reflects different emotions. You will soon realize that the more the theme >>
Question 5: How to write music appreciation 1? Write down the source of the music and its background (for example, why the singer sings, and at what stage of the composer's life).
2. From the musical instrument chapter.
3. Introduce others' feelings about songs.
4. Write your own feelings (from the perspectives of art, your voice, your own understanding of this song, and when it is suitable for listening).
I hope this helps.
Question 6: How to enjoy classical music? In fact, everyone feels different when listening to classical music.
I like Bach's unaccompanied violin sonatas and suites very much. My friend told me that they are noise (just kidding, in fact, he likes classical music very much).
So, don't care what others say, and don't care how high your artistic achievements are ―― what you should care about is your own love of music. Paying too much attention to academic things will affect the feeling of listening to songs.
To say the least, which great musicians left so many classics, and why?
Is it for future generations to study?
I think the greatest significance is not (of course, not against the study of music theory), but that we should be able to share this beauty with them.
So, don't care about the authoritative evaluation-because your love for classical music is the greatest comfort to those late masters.
Get down to business
Check the author's information first. Then divide the symphony into several parts and enjoy it in sections. Listen to what instruments are used in each part, and finally write down your feelings. Talk to friends or teachers.
Actually, I'm not a professional musician, I just like to enjoy it. I suggest you start with the waltz of the Strauss family! The music of the Strauss family is relatively simple, neither rigorous in classical times nor complicated by Shostakovich and his family. Of course, my favorite music is baroque music, especially Bach's organ music and Vivaldi's concerto. I feel that they just tell the true meaning of life, but these songs are more rigorous and not easy to accept at first.
As for books, I think if you don't want to be a professional, it's unnecessary, just like if you don't want to learn English linguistics, you don't have to read grammar books. The main thing is to appreciate more. I have this feeling that sometimes I recall a piece of music I heard a few years ago and suddenly feel that I understand it all. No matter what I thought at that time, it was useless.
How to enjoy the symphony?
Some people think symphonies are unattainable and difficult to understand. As everyone knows, like an article, it is also divided into depths. As long as you know how to appreciate it, it is not difficult to get started. Because what it reflects and describes is, after all, people's life and people's thoughts and feelings. As soon as ordinary people enter the door, they can change from ignorance to understanding and from ignorance to Excellence. Of course, when you appreciate a more profound symphony, you need to have a certain and corresponding life experience and a higher cultural level. "You must supplement it with your own experience, impression and knowledge accumulation."
Here are several different symphonies, briefly talking about the methods of appreciation:
There is a kind of symphony called "sound and picture", which mainly describes the scenery of nature and life and is relatively easy to understand. For example, Russian composer Mosolski's paintings in the exhibition, Bao Luoting's Prairie of Central Asia, German composer Beethoven's Pastoral Symphony and French composer Debussy's Sea can all be said to be such works. Listening to the music of "the sea", the listener is like being on the shore of the sea. From dawn to noon, he appreciates the changes in color, light, sound and shape of the sea. Sometimes he feels the wind whistling, sometimes he refuses to surf on the shore, sometimes he floats, and sometimes he splashes. It's changing really fast. Appreciating these works, coupled with rich imagination, you can get conceptual associations-how beautiful nature is, how interesting life is, and everything is endless.
There is a symphony called "Dance Music", which has a strong national style, short music, simple feelings and clear melody. Most of them describe customs and festivals, which have the characteristics of singing and dancing. There are also clips cut from ballet and made into separate instrumental music. This kind of symphonic dance music, easy to understand, will soon be popular, such as Austria's John? More than 400 Waltzes by Strauss, Bolero by French Ravel, Slavic by Czech composer dvorak, Hungarian Dance by German Brahms, Yao Dance by China composer, etc. All belong to symphonic dance music
In symphonic music, there is a kind of story, which generally has a title or subtitle in each movement. Most of this kind of music is based on familiar and widely circulated plays, poems, legends, myths, novels and stories. For example, Lin Qiqi of Russia? Kao Saakov's Arabian Nights (Suite) is based on the fairy tale Arabian Nights. French Bizet's "Carmen Suite" is based on the music fragments of the opera of the same name; He and Chen Gang's butterfly lovers Violin Concerto is based on the folk story butterfly lovers.
These music are not like drama, literature, poetry and folk art.
Question 7: How to write pure music appreciation? 1 starts to give people a feeling.
The emotions contained in the two songs (musical instruments used, imitated voices, etc. )
3 the last feeling and experience
Question 8: How to appreciate music Music is an artistic image formed by organized sounds (mainly musical sounds), which expresses people's thoughts and feelings and reflects the real life of society.
Surgery. Creation, performance (singing) and appreciation are three aspects of music art practice. Appreciating music is an aesthetic activity. The standard of beauty is determined by the aesthetic taste of a certain era, a certain nation and a certain social group. Music appreciation has three stages: 1, functional appreciation; 2. Emotional appreciation; 3. Rational appreciation. Sensory appreciation is mainly satisfied with pleasing to the ear (that is, pleasant to hear), which is a relatively shallow appreciation. In order to fully appreciate a musical work and get perfect artistic enjoyment, we must enter emotional appreciation and rational appreciation.
To fully appreciate a work from three aspects: feeling, emotion and reason, you must have the following knowledge: 1, author and background of the work. 2. The national characteristics of the works. 3. The author's creative personality. 4. The content of the title of the work. 5. The expressive function of music language. 6. Form and genre. Among them, the expressive function of music language and the knowledge of musical form and genre are the basic common sense of music theory. Let's briefly introduce the common sense of these two basic music theories.
Melody, also known as melody, is a line of sounds formed according to a certain height, length and strength. It is the most important hand to shape the image of music.
Duan is the soul of music.
Rhythm is the relationship between the length and strength of each sound. Because different tones are different in length and intensity, the melody must contain rhythmic elements.
Beat is a uniform alternation of strong beat and weak beat. There are many different combinations of beats, called "beats". The normal rhythm is carried out according to a certain beat.
Speed is the degree of speed. In order to accurately express the thoughts and feelings of music, it is necessary to make the work sing or play at a certain speed.
Strength is the degree of strength. The change of sound intensity also plays an important role in shaping the music image.
Tone region is the range of high pitch and low pitch. The voices in different vocal areas have different functions and characteristics in expressing thoughts and feelings.
Timbre is the acoustic characteristics of different voices, different musical instruments and their different combinations. Through the contrast and change of timbre, the expressive force of music can be enriched and strengthened.
Harmony is the simultaneous combination of two or more voices according to certain rules. * * * Strong and weak, stable and unstable, harmonious and disharmonious, and not.
Stability and disharmony tend to be stable and harmonious, forming a harmonious functional system. The function of harmony directly affects the strength, tightness and strength of rhythm. In addition, harmony also plays a role in rendering colors.
Polyphony music is the simultaneous combination of two or more melodies. The simultaneous combination of different melodies is called contrast polyphony, and the successive imitation of the same melody in a certain time interval is called imitation polyphony. The application of polyphonic music can enrich the image of music, strengthen the motivation of music development and the independence of sound, and produce the effect of echo before echo.
Modal is a series of sounds summarized from the different tones used in the melody and harmony of musical works. These tones are interrelated and keep a certain trend. Tonality is the pitch of the mode center tone (tonic). In many musical works, the conversion and contrast of mode and tonality is an important way to reflect the changes of atmosphere, color, artistic conception and image.
Various elements of music language cooperate with each other and have diverse expressive force. Although melody is the soul of music, other elements have changed, and the image of music will also change to varying degrees. Under certain conditions, other factors can even play a major role. For example, in He Lvting's orchestral work Senjidema, the first paragraph is soft and slow, and the melody is set off with a long * * * and a foil sound. At first, the oboe and flute played pastoral tunes. Against the background of stringed instruments, the timbre is soft and calm, depicting the beautiful scenery of the vast Mongolian grassland. Later, the melody was played with horns, violins and trumpets, and the colors gradually became clear. The second paragraph is fast and strong, and the stringed instrument plucks the strings to play a lively accompaniment sound pattern. The melody is the same as the first paragraph, and the timbre has not changed much. However, due to the changes in the speed, intensity and rhythm of accompaniment instruments, they show different musical images, reflecting the happy life of the people in Inner Mongolia.
There is also a musical form, which is the arrangement of music materials, that is, the structural layout of music. There are forms, multi-paragraphs, Rondo, Variations, Sonata, Rondo Sonata, Mixed Music, Suite and so on. In addition, there are unique forms of Chinese classical music and national music. The setting of music forms is to meet the needs of different music images and contents.
The genre is >>
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