Appreciation of Huokeji West Pavilion

This poem is not difficult to understand. The first four sentences are about self-mockery and masturbation after a trip. Liu Zongyuan was demoted to Yongzhou, depressed and angry, and felt that the environment was very difficult and dangerous. So I often travel to get rid of it. When Xiao is free, I want to indulge my stubbornness. In fact, Liu Zongyuan was not really dispersed, but was deprived of the right to participate in politics. Liu Zongyuan is not really stubborn, but an excuse for conservatives to attack and persecute him. Liu Zongyuan suppressed his anger, pretended to be relaxed, teased himself, and showed his inner unyielding. Then in six sentences, write about the grandeur of Dongshan and the construction of Xiting. Liu Zongyuan's "The Story of the West Pavilion in Yongzhou" once mentioned the construction of the West Pavilion: "Hawke lives in Yongzhou and has the highest place? There are tens of thousands of bamboos outside the mountain, and its mountain shape is unique. However, the salary is steamed and covered with miscellaneous things. I intend to cut it, and there will be some opinions. ? I was an official member when I was a state official, but I didn't learn anything. I took the rank of official, thinking that its pavilion was high and wide, and the abbot was the best in the world. " It can be seen that Liu Zongyuan built the West Pavilion because the Dongshan Mountain was high. After cutting hazel, he can enjoy the scenery and eyes. On the one hand, Xiao did what he wanted to do and what he had nothing to do, on the other hand, he proved that he was really stubborn and didn't want to change. On the contrary, he became more arrogant, indifferent and happy, showing the courage and anger of unyielding struggle. In the next 12 sentence, write about the beautiful scenery and happy mood after the pavilion is built. Write the scenery from high to low, from far to near. Looking up at the sky, there is a sense of independence at the top of the high and steep Dongshan Mountain. The distant mountains are close at hand, surrounded by the Chengjiang River, and the mind is not open and broad. Sunset shines on the porch, birds fly back, flowers are bright, bamboo is clear, and the beautiful and quiet natural beauty intoxicated him. In this way, it withered because of the relegation of the spirit, and it didn't begin to bloom until this time. Of course, this is only temporary, spiritual elimination and forgetting, so the description of pleasing beauty always focuses on the characteristics of deep silence, which contains the lingering sadness hidden in the poet's heart. The last six sentences were about homesickness, and I was relieved. Pleasure is the most taboo loneliness, and Liu Zongyuan is in the reality of relegation, so the enjoyment of landscape can only temporarily forget the anguish in his heart, and if it takes a little longer, it can't help but evoke deep homesickness and hatred. This kind of sadness comes from relegation and is rooted in grief and indignation. It is impossible to return to one's hometown in reality. The poet had to force himself to comfort himself, "Don't answer", and never forget it in leisure and joy. The ending is sad and deep, and resentment can't be avoided.

In a word, exile and depression-traveling to get rid of it-reveling in the beautiful scenery and enjoying it temporarily-arousing homesickness-are the most common structural ways and expressions in Liu Zongyuan's landscape poems, and loneliness, resentment and depression are the emotional tone and unique style throughout the poem.