The Original and Translation of Red Cliff Fu

"Fu on Red Wall" mainly describes the author's feeling of boating in Chibi on a moonlit night. From boating to lying on the pillow, the contradiction is raised and solved in the form of dialogue between subject and object, which is profound and slightly hidden, and also shows the author's broad-minded attitude towards life. The following is the original text and translation I compiled for you, hoping to help you!

The original work of "Red Cliff Fu"

In autumn, on July 16th and 16th, Su Shi and his friends went boating in Chibi. The breeze blows gently and the water can't reach the surface. Raise a glass to propose a toast to one's companions, recite articles related to the moon, and sing praises to chapters. Not long after, the moon rose from Dongshan and hovered between the Big Dipper and the cow. Milky white fog across the river, clear water. Let the boat float on the boundless river and cross the boundless river. Vast as leaning on the virtual wind, I don't know what to stop; Floating like an independent world, feathering into a fairy.

At this time, he was very happy to drink, slapping the ship's rail with his hand and singing. The song says: "Gui Gui is like a blue paddle, striking the sky and tracing the streamer. I am pregnant, and I hope that beauty is on one side. " Guests have oral sex and rely on songs to make peace. Its voice is whiny, like resentment, like crying; The sound is endless. It can make the dragon dance in the deep valley and make the widow in the lonely boat cry.

Perilla was very sad and sat in danger and asked the guest, "What is it?" The guest said, "The moon stars are rare, and blackbirds fly south. Isn't this a poem by Cao Mengde? Looking at Xiakou in the west and Wuchang in the east, the mountains and rivers are misty and gloomy. Isn't this because Meng Zhizhi was trapped in Zhou Lang? Fang Qi broke Jingzhou and went down to Jiangling, downstream to the east. It is thousands of miles long, with flags flying, drinking near the river and writing poems horizontally, making it a hero in the world. It is safe now! My son and I are fishing on the river, making friends with fish, shrimp and elk, keeping a boat and keeping bottles for each other. It's a drop in the ocean to send a mayfly into the earth. Mourn a moment in my life and admire the infinity of the Yangtze River. Fly with the flying fairy, hold the bright moon, and grow up. I know that it is impossible to get it suddenly, but I hate Taiwan. "

Perilla said, "Do you know my husband's water and the moon? The deceased is like this, but he has never been there; If you are full of emptiness, the dead will not ebb and flow. Gai must view it from its changers, then heaven and earth can't be in an instant; If we look at it from its unchanging point of view, then things are infinite to me, but why envy them? Besides, between heaven and earth, everything has its own owner, not mine, so I will take it for nothing. However, the breeze in the river and the bright moon in the mountains are wonderful to hear and endless in color. It is the creator's endless hiding place, and my son and I are in the right place. "

So the companion smiled happily, wiped the cup clean again and poured it again. All the dishes have been eaten, and the cups and plates are in a mess. Sleeping on the boat, hugging each other, I know the horizon has turned white.

Translation of Fu on the Red Wall

In autumn, July 16, Sue's family and friends went boating in Chibi. The breeze blows gently, but the waves are quiet. Raise a glass to propose a toast to one's companions, recite (praise) moon poems and sing melodious music. Soon, the bright moon rose from the back of Dongshan Mountain, hovering between Dousu and Niusu. White fog crosses the river, and clear water connects the sky. Let the boat drift everywhere, wandering on the boundless river. Walking around in the breeze (on the river), I don't know where I will stop, and I feel as light as if I want to leave this world and fly away, like a Taoist feather.

So he drank happily, knocked on the ship's rail with his hand and sang loudly. The song sings: "Sweet-scented osmanthus wooden boat paddles vanilla, facing the empty waves and the flowing water is full of light. My heart is far away, and I hope Iraqis are on the other side of the world. " The companions played the flute, and the flute whined with the rhythm of the song: like resentment, like admiration, like sobbing, like whispering, and the sound echoed on the river and lingered in the air. Can make the dragon in the deep valley dance for it, can make the widow in the lonely boat cry for it.

Su Shi's expression is also sad. He straightened his skirt and sat upright. He asked his companion, "Why is Xiao Sheng so sad?" The companion replied: "The moon stars are rare, and blackbirds fly south." Isn't this a poem by Cao Gong and Meng De? You can see Xiakou in the east and Wuchang in the west. Mountains and rivers are connected and gloomy. Isn't that where Cao Mengde was besieged by Zhou Yu? At the beginning, Jingzhou was captured, Jiangling was captured, and it went down the Yangtze River. His warships stretched for thousands of miles, covered the sky with flags, drank by the river and recited poems with spears. He is indeed a hero in the world, but where is he today? What's more, I am fishing and chopping wood with you on the waterfront, keeping company with fish and shrimp, and being friends with elk, driving this boat (on the river) and toasting each other, just like a ephemera in the world, as small as chestnut rice in the sea. Sigh that our life is only a short moment, and envy the endless Yangtze River. Travel around the world hand in hand with the immortals, embrace the bright moon and live forever. Knowing that these can't be realized after all, I have to turn my regret into a flute and entrust it to the sad autumn wind. "

Su Shi said, "Do you know this water and the moon? What has passed away is like this water, but it has not really passed away; When there is a shortage of wheels, like this month, it is not profitable after all. It can be seen that from the changeable side of things, there is no moment between heaven and earth; From the unchangeable side, everything is as endless as one's own life. What is there to envy? Besides, between heaven and earth, everything belongs to it, and if it is not what it should be, it won't even get a penny. Only the breeze on the river and the bright moon in the mountains can hear the sound in the ears and draw all kinds of colors in the eyes. No one will ban these things, and there will be no worries when they feel it. This is an inexhaustible treasure (gift) of the creator, and you and I can share it together. "

The guest smiled happily, washed the glass and filled it again. All the vegetables and fruits have been eaten, and the cups and plates are in a mess. Everyone slept on the boat, leaning against each other, and unconsciously, the white dawn had appeared in the East.

Appreciation of Red Cliff Fu

Qian Chi Bi Fu was written in July of the fifth year of Yuanfeng (1082), when Su Shi had lived in Huangzhou for nearly four years. It is inevitable that the author was killed innocently and demoted for a long time. But he can handle it calmly, seek spiritual liberation with an open mind, and not be overwhelmed by the depressed mood of suppressing the world. This complex mood is reflected in his self-talk and self-explanation of his troubles in this essay.

"Qian Chibi Fu" mainly describes the author's feelings of boating in Chibi on a moonlit night. From boating to lying on the pillow, the author puts forward and solves contradictions in the form of dialogue between subject and object, which deeply reveals the author's hidden worries and shows the author's broad-minded attitude towards life.

The sadness of the "guest" in the article is caused by three feelings: First, the mountains and rivers around Chibi caused him to think about heroes in history. What kind of heroes were there then, and now they are safe? Besides, our fishing and firewood are above Zhu Jiang! Secondly, from the endless river, I thought of a moment in my life, as small as a drop in the ocean. The third is to get rid of the real situation, eager to "walk with Fei Xian, embrace the bright moon and die", but "suddenly realize"

The reason why I wrote "Ke" is to write the inspiring words of perilla. Perilla's words in the article are aimed at the feelings of "guests". He talks about the philosophy of life from the change of the universe. It is believed that from the perspective of change, heaven and earth will not remain unchanged for a moment, life is short and natural sadness; But from a constant point of view, that is, heaven and earth are born with me, and everything is one with me, endless. Besides, everything in the world has its own owner. "If it's not mine, I don't want it." In this way, the gains and losses of honor and disgrace, joys and sorrows in the world are not enough to remember. Finally, he pointed out the way out for the "guests": to seek spiritual sustenance in nature. Obviously, the words of "guest and kindness" in Fu reflect the author's ideology. The philosophy of life he talked about has its reasonable positive side, but it also contains the negative factors of being content with the status quo and obeying nature in Buddhism and Taoism. Therefore, the words of this "guest" really reflect the author's inner pain, so when he sent his calligraphy "Qian Chibi Fu" to his friend Qin, he specially wrote to tell him: "It is difficult to be afraid of things. If Qin loves me, he will not hide it."

Fu has three meanings, one is to write about the joy of night travel, the other is to write about extreme sadness, and the third is to write about enlightenment because of sadness. Emotional twists and turns, deeper and deeper. The style of writing is ups and downs, blending scenery, lyricism and discussion in one furnace. The scenery is like moonlight, the emotion is like sadness and joy, the reason is like things, mixed with vuvuzelas and flutes, and it's a long story. The beauty of writing lies in turning a blind eye, but your discussion and knowledge are not limited to turning a blind eye. Love is born from the scene, and the scene shows love, touching each other and creating a wonderful mythical realm. It also explains reason with scenery and emotion, making fu full of poetic and philosophical ideas. The author uses a fresh prose style as a fu, with parallel prose, antithetical sentences, rhymes and more casual sentences in the middle. This kind of fu is called Wen Fu. In addition to the traditional question-and-answer form of Fu style, Qianchibi Fu is characterized by arbitrary sentence length, loose rhyme, fluent and clear language, dialogue of lyrics, free and easy lyric reasoning and strong expressive force. These are the development of Fu.

The whole article is divided into five paragraphs.

The first paragraph begins with "Autumn in Ren Xu" and ends with "Ascending Immortal after Feathering". This is a short narrative before the essay, which is divided into three sections.

The first section * * * four sentences, point out the time, person and place. This is the formal pen and ink for writing Fu, like the preface before a long poem.

In the second quarter, * * * five sentences, the first two sentences describe scenery, and the last three sentences describe things, that is, objective scenery and subjective words and deeds alternate. As I said before, this article focuses on writing records and does not emphasize the description of scenery; Therefore, there are only four sentences in this article, that is, "the breeze is Xu Lai, and the water waves are stagnant" and the next paragraph is "the white dew crosses the river, and the water meets the sky". But these four sentences are extremely concise. "Breeze" is about wind and river. The Millennium is about the moon and rivers. In short, the description of scenery is only to point out "Jiang" and "Yue" as examples when writing records in the future. At present, the author has written the river scene under the moon, so it is unnecessary to spend more ink.

The sentence "reciting the poem of the bright moon" is the same as the following sentence "There are few stars in the moon", so it is easy for literati to associate the works they have read in the past from the objective scenery, and then give their feelings from the works of the predecessors. Here, before the moon comes out, Chen comes out to make an introduction. The two sentences in Poem of Singing the Moon are intertextual, but sometimes these intertextual sentences are not interchangeable. Because "My Gentle Chapter" has different connotations in "Poetry of the Moon", the small one can't be put before the big one. And "Yin" before "Yin" is also in line with the actual situation when the poet recited. People are always more and more excited about the emotions at the scene. "Song" is more emotional than "Yong", so Yong comes first and sings last. It can be seen here that the author's literary mind is no problem.

The third section is the first act, and the situation is born of events. Language creates nature and vividness, but there are many reasons. Many ancient poems are based on moonlight, such as Seven Mournings by Cao Zhi, The Bright Moon Shines on Tall Buildings, Drifting and Falling, A Moonlit Night by the Spring River by Zhang, A Lounge on a Poor Moon, and A Lonely Moon and Me by Li Bai. The moon encouraged me. The sentence "The White Dew Crossing the River" is also transformed from "Moonlight on a Spring River meets the sky", which is transformed into Zhao Jie's "Feeling old at the bottom of the river". In The Book of Songs, "Moonlight is like water, water is like sky", "A reed hangs over the river" and "Wan Qing" are used in Xie Huilian's Snow Fu, and their natural and vivid beauty lies in their use.

Every sentence in this section is written in turn and cannot be displaced. Write a month's birth under Shao Yan. From "out" to "wandering" and "white dew" are what you see after the moon rises, from water to sky, from near to far. The phrase "longitudinal reed" is about subjective tourists, and the phrase "Ling Wanqing" is about objective river surface. The sentence "mighty" describes the phenomenon of boating on the river, while the sentence "gone with the wind" describes people's feelings on the boat. The brushwork is smooth, just like a hand, the words are all written, but there are no traces of piling up.

The second paragraph is from "So I am happy to drink" to "Crying for my lonely wife". Naturally, there are two layers, the lyrics are one layer, and Xiao Sheng is another. The author describes Xiao's voice as "material object", but "material object" is for "writing". In this essay, Su Shi uses "sadness" and "happiness" as antithesis, and expresses his feelings with questions and answers from subject and object, which are actually two aspects of the author's ambivalence. Finally, "music" overcame "sadness" and the subject and object reached the realm of "* * *". The expression of "mourning" is all with the help of Xiao's voice. So the author tries his best to describe it here.

Personally, I think the main sentence of this article is in the last two sentences of this song, that is, "I am so misty, so I look forward to beauty." "Beauty" is better than monarch. These two sentences show Su Shi's ardent loyalty to monarch. Loyalty to monarch is indeed a limitation, but Su Shi should treat it in two places. The idea of loyalty to the monarch is the driving force for Su Shi to think about serving the world, hoping to share his worries for the Song Dynasty and make achievements in his career. There are positive factors in this. The following Fittings in Mourning for My Life, Endless Hiding for * * * are all born from now on, but there is no trace. Since a person is an official, thinking about the world and being slandered by a villain, it is natural to have a "sad" side. However, if you are depressed from now on and don't cheer up, you can't achieve the purpose of loyalty to the monarch. Therefore, when the objective situation is most unfavorable to you, you should try to be open-minded and adapt to nature to adapt to adversity; At the same time, he did not give up his consistent spirit of loyalty to the monarch and serving the country. Even when he was relegated, he still wanted to "quench his thirst by looking at plum blossoms", which was Su Shi's main and consistent attitude towards life. There is no "sadness" in the author's lyrics, even when he is "drunk badly". The so-called "empty spirit and cherish" is precisely the performance of loyalty to the world, so I have to "look at the beauty and look at the sky." The "guests" who play the flute understand the contents of the lyrics, so they strengthen their feelings in this respect and pour out the singer's inner sadness with the flute. In this way, the contradiction is exposed publicly, which leads to the following: complex ideological activities are told by the dialogue between subject and object, but they are completely different. The article is ingeniously conceived, reaching a subtle level, which is the embodiment of Su Shi's talent.

Writing about Xiao Sheng is also a wonderful article. The words "resentment", "longing", "weeping" and "resentment" capture the characteristics of Xiao Sheng and also describe the characteristics of "mourning". Written at the beginning of "Roar", literally using "Historical Records" and "Biography of Lisi"; Resentment, hope, cry and resentment are translated into Mencius; The phrase "Dance in the Valley" secretly uses the flute in the Supplement to National History; "Killing a Woman Alone" secretly uses Bai Juyi's pipa. The phrase "complaining is like thirst", the flute is beautiful and moving, which reminds the listener of secular desires. The second sentence of lingering sound ends with the sound of a flute. Then add two exaggerated metaphors to describe it.

The third paragraph is the positive words of worrying about the country and the people when they are hurt, but it is only from the perspective of nostalgia. Nostalgia begins with reciting ancient poems, and the phrase "moon stars are rare" is associated with the current scenery of Jiangyue, which seems intentional, if unintentional. Push it out from the poem in your heart, then write down the terrain you see in your eyes, and then push the ancient Cao Cao to the front of the background. The following eight sentences in Fang Qi are all guesses and imaginations, but they are all exaggerated with all their efforts. This is the so-called "bedding", which is the formal writing of Fu. In this way, by sketching the background, the image of Cao Cao was shaped. Under "Fang Qi", the momentum and style are written from the expansion of Cao Cao's strength and territory, and then the image of Cao Cao himself is outlined with the characters of "drinking near the river and writing poems horizontally", which is particularly full and three-dimensional. If you don't write like this, the characters will not stand out easily. The difficulty lies in the unity of the sentence "heroes in the world are solid", and the drop of "safe now" is the most obvious skill. The last sentence is called getting frustrated, and the next sentence is called giving money. The word "hero of World War I" seems relaxed, but it has gone through hardships, and it is indeed an eternal evaluation of Cao Cao, a historical figure. This is the last section of this paragraph. In fact, it is also the meaning of "the waves are exhausted, the romantic figures of the ages" in Nian Nujiao, but in another way, people are overwhelmed. The second paragraph of the third paragraph, from "My son" to "The legacy echoes in the hate platform", is Hakka dialect, which actually reflects the negative side of the author's own thoughts. It means that a hero like Cao Cao could not escape the fate of failure at that time, so in today's adversity, what is the need to make contributions! This passage is only a reflection of the thought of being born and negative emotions, but the author has rendered it into such an article, which contains the so-called rhetoric of ancient China writers and does not fall into the old pattern. Through the description of the image, people will not feel depressed, which is the charm of words. The phrase "flying fairy" is absurd in imagination, but it falls into the meaning of "knowing can't be obtained suddenly", which is literally inverted, reversed in literary potential, improperly changed, and arbitrarily raised or lowered; Compared with images and metaphors, the intention is very clear, but there is no habit of preachers, and there is no abstract and empty theory, from which sadness comes. It's really sad to want to be detached from the world and can't escape from reality. Therefore, in the conclusion, the sentence "Entrustment resounds in hate Taiwan" writes out the difficulty of having to "mourn". Writing here, I really doubt that there is no way out; I don't want a bright future in the next paragraph. I use logical thinking with rational interest to refute this negative fertility thought and write a little unexpected meaning that people expect. This is amazing.

The fourth paragraph is a positive text with more depth than the previous paragraph. Although it belongs to a pair of contradictory aspects, it is not parallel. Structurally, it is different from the last one. This paragraph originally had only one meaning, but it was written in two layers. Water and the moon are metaphors with the same function and nature, so the author divides them into two layers. What the author wants to clarify in this paragraph is only the meaning of "unchanged", but he compares the two. This makes the article appear ups and downs. The phrase "the dead" uses the meaning of the chapter "the son is on the river" in The Analects of Confucius, and the phrase "surplus and deficiency" uses "Zhuangzi Qiushui" to eliminate surplus and deficiency, and finally begins ". Although the water has gone to the east, the water of the Sichuan River still exists. Although the moon is ups and downs, it is endless, but the moon is still the moon through the ages. Therefore, if we refute the sentence "cover will change itself" a little, we will no longer pay attention to it, but focus on the last two sentences "If we look at it from its unchanging, things are infinite", so we ask another question: "What do you envy! "Don't say' why mourn', say' why envy'. In view of the above "envy of the endless Yangtze River", the style of writing is always changing. Jealousy only comes from mourning. Without envy, there will naturally be no mourning. It says "my life is short", and this one says "things are infinite". Birds of a feather flock together and people can understand; " I am endless, so it is not easy to know. The author means immortality, that is, the so-called "virtue, success, and success." It is this kind of "immortality" that Su Shi pursues. Therefore, in the final analysis, his attitude towards life is positive. The following four sentences "between heaven and earth" seem fatalistic, but in fact, the author is used to treat fame and fortune, gain and loss, honor and disgrace, so its internal meaning is not bad. Next, from "Only the breeze on the river" to "Where do my son and I live * * *", it is the author's positive proposition: we should seize the opportunity and enjoy the beautiful scenery endowed by nature. The "my son" in the last sentence just echoes the "my son" mentioned in the above "guest". Some people say that this is just the idea of eating, drinking and having fun, that's right. But the person who appreciates it lies in the natural scenery. This is much more noble than "drinking wine rather than wearing plain clothes" (Nineteen Ancient Poems) pursued by people in the Eastern Han Dynasty. It can be seen that the author's spiritual realm is not so vulgar. What he pursues is spiritual liberation, not material enjoyment. He is obsessed with the immortal cause, but detached from fame and fortune, which is essentially different from the general concept of eating, drinking and having fun.

The fifth paragraph ends with a short narrative. The words "joy" and "smile" that make a guest smile are related to the words "joy", "resentment", "admiration", "resentment" and "envy" that describe emotional changes. This is a clue to the emotional development of the full text, which runs through the whole article. The following description is in harmony with the sentence "I am very happy to drink", while the last two sentences are full of interest in the word "suitable", and the article is also cadence, which makes me feel wonderful.

Red wall fu

Fu on the Red Wall was written by Su Shi, a writer in the Northern Song Dynasty. Written in the fifth year of Yuanfeng in Song Shenzong (1082), the author relegated Huangzhou (now Huanggang, Hubei). This poem describes what the author and his friends saw and felt when they went boating in Chibi on a moonlit night. Taking the author's subjective feelings as a clue, through the form of subject-object question and answer, it reflects the author's liberation from boating on a moonlit night to drawing lessons from a painful experience and then to philosophy. Quan Fu embodies its unique artistic conception in layout and structural arrangement, with deep feelings and profound thoughts. It has a high literary position in the history of China literature and has a great influence on later Fu, prose and poetry.

To annotate ...

1, Ren Xu (rén xū): Yuanfeng five years, year number is Ren Xu. In ancient times, the year of dry was Ren Xunian.

2. Hope: Lunar 16th. The fifteenth day of each month in the lunar calendar is "looking at the sun" and the sixteenth day is "looking at the sun".

3. Xu: Take your time.

4. Xing: Get up.

5. Genus (zhǔ): Pour wine, which means to persuade wine.

6. Poems of the Bright Moon: refers to The Book of Songs, Chen Feng and The Bright Moon Comes Out.

7. Chapter Y ? OTI ? O: The first chapter of the poem Chen Chu is: "When the moon is bright, when people are there, Shu Yao corrects, and when the heart is sad." "affected" and "gentle" are the same.

Shao Yan: It's been a while.

9. Bullfighting: the names of the constellations, namely Dou Su (Southern Dou) and Niu Su.

10, Bailu: white water vapor. Hengjiang: Cross the river.

1 1, "A Reed": Let the boat float on the wide river. Vertical, whatever. Reed is like a boat. The Book of Songs Feng Wei He Guang: "Who is He Guang, a Hang Wei (Sailing)?" Like going. Ling, cross. A vast river. At a loss, broad-minded.

12, Feng (píng) Virtual headwind: Traveling in the air with the wind. Feng Xu rose out of thin air. Feng, preach "multiply" and multiply. People's Education Edition senior high school Chinese textbook has been changed to "You", but the original text should be "Feng". Virtual, space. Control. control.

13, Legacy: Leaving this world.

14, eclosion: Legend has it that immortals can soar like wings. Dengxian: Dengxian Wonderland.

15. Seize the edge (xián): To beat the ship's side means to beat the time.

16, Guiqiu (zhào) blue paddle: Guishu paddles, and Lanmu paddles.

17, empty: the moon reflects water and is clear in color. Back: Upstream. Streamer: the moonlight shining on the water waves.

18, Meng Meng: distant appearance.

19, beauty: a metaphor for a beautiful ideal or a good king.

20, leaning on the song: according to the tone beat of the song. Harmony: consistent correspondence, harmony.

2 1, resentment: sadness. Mu: Attachment.

22. Aftersound: End. Ni O: It describes a melodious and long sound.

23.wisp: filament.

24, deep valley: deep valley, here refers to the abyss. The dragon hidden in the abyss dances for it.

25. Li's wife: widow. Bai Juyi wrote in Pipa: "She is guarding an empty boat at the mouth of the river, and the river is cold under the moon. Sometimes in the middle of the night, she dreams of her victory and is awakened from her dream by her hot tears. " We use it here.

26. (Qi O) Ran: Appearance color changes.

27, sitting in danger: finishing clothes, sitting (seriously).

28. What's this? Why is the flute so sad?

29. Xiakou: The old city is in Wuchang, Hubei Province.

30. Wuchang: Sun Yicheng County, Hubei Province today.

3 1, Miao (liáo): "dazzling", coiled.

32, depression: lush appearance.

33. Meng De's dilemma: It refers to the 13th year of Jian 'an of Emperor Xian of Han Dynasty (208), when Wu defeated Zhou Yu in Battle of Red Cliffs and Cao Cao claimed to be an army of 800,000. Zhou Lang and Zhou Yu were corps commanders at the age of 24, and Wuzhong people were called Zhou Lang.

34. Three sentences in "Fang Qi" refer to the 13th year of Jian 'an, when Liu Cong led his troops to surrender to Cao Cao and Cao Jun occupied Jingzhou and Jiangling without fighting. Party, when. Jingzhou governs eight counties, including Nanyang, Jiangxia and Changsha, and now belongs to Hunan and Hubei. Jiangling, then the capital of Jingzhou, is now the name of Hubei County.

35.zhú lú: The warships are connected in front and back, which means warships here.

36.(shρ) wine: filtering wine, here refers to pouring wine.

37.shuò: Hold the spear horizontally. A spear.

38. Couple: Take ... Take ... Take ... Elk: A kind of deer.

39. Piā n boat: small boat.

40. bottles (páo): wine containers made of gourds. Well, gourd. Respect and respect are the same.

4 1, send: accommodation. Mayfly: A kind of ephemeral insect. This sentence is a metaphor for the brevity of life.

42, rudder: small. The sea: the sea. This sentence means that human beings are extremely small between heaven and earth.

43. For an instant, describe the brevity of life.

44. Long ending: As for forever.

45, suddenly: more.

46. Aftersound: Aftersound refers to the sound of the flute. Very Thai: Autumn wind.

47. The deceased is like this: the sea has changed like this river. From The Analects of Confucius Zi Han: "Zi Zaichuan said:' The deceased is like a husband, staying up all night. "yes, yes. Si, Si, refers to water.

48. Surplus and deficiency: refers to the circle of the moon.

49. pawn: finally. Fluctuation: increase or decrease.

50. Never: fixed phrases, not even ... even once ... blink: blink of an eye.

5 1, right: this. Creator: heaven and earth are natural. Hide: an endless treasure.

52. Comfort: Enjoy. Neijing explains that the six senses are nourished by six people, and their nourishment is also called food. Eyes eat with color, ears eat with sound, nose eats with fragrance, mouth eats with taste, body eats with touch, and Italy eats with law. The cool breeze and bright moon make the ears sound and the eyes meet color. So, "* * * food". Easy to "* * * fit", but boring. At that time, there was a question about the meaning of the word "food". Shi said, "If it is the" food "of a restaurant, it is still useful." Shi Gai didn't want to go to the Expo, so he answered with appropriate words. The ancients were modest. In the Ming Dynasty, "* * * diet" was changed to "* * * fitness", so that the high school Chinese textbook published by People's Education Publishing House has been wrong since then.

53. Vegetable core: vegetables and fruits.

54. Pillows: Rely on each other.

Creation background

The Red Wall Fu was written during Su Shi's relegation to Huangzhou, which was one of the most difficult periods in his life. In the second year of Yuanfeng (1079), Su Shi was accused of slandering the imperial court for writing a poem "Xie Shangbiao in Huzhou". He was impeached by Yushi, accused of slandering the imperial court, and was arrested and imprisoned. History is called "Wutai Poetry Case". "After several reconstructions", he was tortured. After being rescued by many parties, he was released in1February of that year and was demoted to deputy ambassador of Huangzhou Youth League Training, but "no official contract, no unauthorized placement." This is undoubtedly a "semi-prisoner" controlled life. In the fifth year of Yuanfeng, Su Shi visited Chibi twice in July 16 and 10/5, and wrote two poems about Chibi. Later generations called the first poem "Red Cliff Fu" and the second poem "Back Red Cliff Fu".

Brief introduction of the author

Su Shi (1037—11year) was born in Meishan, Meizhou (now Sichuan). Son of Su Xun. Jiayou years (1056- 1063), Jinshi. He wrote a letter about the disadvantages of Wang Anshi's new law, and later he was sent to Yushitai prison and demoted to Huangzhou for satirizing the new law with poetry. Song Zhezong, a bachelor of Hanlin, is a native of Yingzhou, and is an official of the Ministry of Rites. Later, he was exiled to Huizhou and Danzhou. There are benefits everywhere. Chasing Wen Zhong after death. Knowledgeable, like to reward backwardness. Together with his father Su Xun and his brother Su Zhe, he was called "Su San". His prose is arbitrary, and he is one of the "Eight Masters in Tang and Song Dynasties". His poems have a wide range of themes, are fresh and healthy, are good at using exaggerated metaphors and have a unique style. Also known as "Su Huang" with Huang Tingjian. Bold words, and Xin Qiji called "Su Xin". He is also engaged in painting and calligraphy. There are Seven Chapters of Dongpo, Dongpo Yi Zhuan, Dongpo Shu Zhuan, Dongpo Yuefu and so on.